Or are there lots of links? But each novel is still a novel and subject to the rules of good fiction writing. The central premise or conflict of your series is the main tension or unknown that needs to be solved. Consider a series goal that will not be resolved until the final story is told.
He also drew the maps inside the book. Anything that can connect a series of stories can be used in the titles. The entire action of a novel is frequently determined by the locale in which it is set. Murtagh shoots Durza between the eyes with an arrow, and the Shade disappears in a cloud of mist.
Too many problems and you're stuck with the emotional baggage from book to book. Give each book in your series a strong central event Remember that each book should stand on its own to a degree.
But you could give it a twist. Is there a strong cause and effect between stories or can they take place at the same time without a problem?
List of Inheritance Cycle characters Writing a novel series shade named Durzaalong with a group of urgals, ambushes a party of three elves. She transcended that, however, and became her own person, fiercely independent and proud.
Strictly, any scheme will do to hold a novel together—raw action, the hidden syllogism of the mystery storyprolonged solipsist contemplation—so long as the actualities or potentialities of human life are credibly expressed, with a consequent sense of illumination, or some lesser mode of artistic satisfaction, on the part of the reader.
At the lowest level of fiction, plot need be no more than a string of stock devices for arousing stock responses of concern and excitement in the reader.
Too involved for a single protagonist? Each story may have an individual theme, but each should also fit into the whole. It is the task of literary critics to create a value hierarchy of fictional character, placing the complexity of the Shakespearean view of man—as found in the novels of Tolstoy and Joseph Conrad—above creations that may be no more than simple personifications of some single characteristic, like some of those by Dickens.
There can, of course, be a number of secondary narratives enclosed in the main narrative, and this device—though it sometimes looks artificial—has been used triumphantly by Conrad and, on a lesser scale, by W. To make a character real, they must have some kind of past, and you as an author must choose that past with care.
Teases can be as simple as an unexplained whisper or glance, the discovery of an object whose purpose is unknown, a promise unfulfilled. By anticipating these problems ahead of time, you can plan a series and check yourself along the way to ensure that you avoid them.
And start sketching out how characters and events and locations intersect and connect and influence one another. An on-going series remains open-ended, always introducing fresh ideas and new characters.
A few months later, Eragon witnesses a baby dragon hatch from the egg. Start your notes and follow some to their conclusions. Rather than recapping events from earlier stories, treat that information as backstory and fold it in as you would any other backstory.
That is, satisfy and at the same time tease the reader. Know what makes writing series different Writing a series is different to writing a standalone book for a number of reasons: This could mean a repeated word in each title.
Here are some points to keep in mind: Or, a resolution could bring major characters together for the final story.
Depth of psychological penetration, the ability to make a character real as oneself, seems to be no primary criterion of fictional talent. Decide if some event will end your series or if the series will be open-ended.
Murtagh and Saphira stage a rescue, and Eragon escapes with the unconscious elf. A big part of learning how to write a series is learning what themes and plot ideas will benefit from expansive treatment.
No other cognate art form—neither the epic poem nor the drama nor the film—can match the resources of the novel when the artistic task is to bring to immediate, sensuous, passionate life the somewhat impersonal materials of the historian.Novel Writing, Screenwriting and Storytelling Tips & Fundamentals.
This site is about getting real with your writing dream. About evolving your understanding of the. Oct 30, · How to Write a Book Series. In this Article: Article Summary Planning Your Book Series Creating Identifiable Characters Developing Interesting Plots Considering Setting and Time Community Q&A.
Book series seem to be everywhere these days, whether filling the shelves at your local library or inspiring movies at your local cinema%(32).
Writing a series is different to writing a standalone book for a number of reasons: Series have multi-novel continuity (this separates a book series from a book cycle).
Learning how to write a series presents several pitfalls. Here are some points to keep in mind: Here are some points to keep in mind: Fantasy and science fiction series differ from mystery series: Mystery series tend to tell a single self-contained story in each novel although the.
In one cataclysmic moment, millions around the world disappear. Airline captain Rayford Steele must search for his family, for answers, for truth. Writing the Breakout Novel: Insider Advice for Taking Your Fiction to the Next Level.Download